Music for Oppo-Citrus

I have spent probably about a day of the last 2 & 1/2 weeks playing around with Pure Data and its iOS counterpart, libpd. After some digging and asking around, I think this is the best way to synthesize music on the iPhone. (By that, I mean generate music “from nothing”, rather than just play mp3s and stuff like that.) I now feel I know enough to be dangerous, but also have reached the point — inevitable in every learning endeavor — where I’ve realized and feel a bit overwhelmed by how very much there is yet to learn. Pure Data (and it’s closed-source predecessor Max) is one of those programs that is so open-ended that you could probably spend your entire life working in it. It’s not so much the program that is overwhelming though. It’s the realization that ultimately what I’m doing is making music. Even if I want to cheat in every possible way, it still comes down to composition. I am composing music. Pure Data is just like any other musical instrument (although possibly the most complex one I have ever encountered), and I’m just not sure whether my compositions are worthy of inclusion in a game.

So I’m going to look for a musician for Oppo-Citrus. One who can work for peanuts, or better yet, virtual peanuts, because that’s what I can afford to give them. Ideally, I’m looking to turn a grid of numbers into a looping sound mosaic. But more importantly, a mosaic that doesn’t completely suck.

I actually came here to write a post about having registered my LLC officially with the state. The name of my new company is Abstract Puzzle, and I’m sure you’ll read more about it in the near future. It’s already got it’s own facebook page, and if you’re reading this, and you haven’t already, it’s be super great if you could go over there and like it.

But then I started listening to my old friend John Keston’s music on SoundCloud, and felt inspired to write about my libpd “research”. Music is incredibly inspirational, and I’ve been reprimanded in iTunes reviews (well, maybe only one) for not including some in ActionChess. My reasoning was always that it’s also incredibly subjective, and one person’s mozart is another person’s … well, mozart. Anyway, music can be as abrasive as it is immersive. I really like the idea of creating a truly unique and interesting sound experience though, and I think if done correctly, that might be worth the extra effort.

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